A TV Series’ Ungracefully Ageing

It must be reasonably obvious to anyone who has ever watched television over an extended period that television shows have a point in which they reach their peak, are struggling to not just take it further but even maintain what they have and are staring down the steep slope of oblivion and cancellation. We all have examples of these. My favourite that never became one is Father Ted and it’s such a great example because as I said it never happened. Dermot Morgan, who played the titular character, sadly died of a heart attack before they filmed a fourth series and as a result Father Ted was immortalised, it never grew old and tired. The same could be said of Fawlty Towers which with only two series never got to the point in which it had refined and perfected the jokes and never had to push them too far in the process.

For there must be something in the idea; that once you’ve found the perfect recipe within a comedy you will kill your creation by not realising it’s limits. Just off the top of my head now I can think of Black Books, The Mighty Boosh, Spaced, to name but a few which were and still are incredible television series which knew when their time was up and didn’t destroy their long term reputation in the process. Without doing some research and actually speaking to those involved, we’ll probably never know who pushes a series too far and who stops it at the right time. If I was to make a guess I imagine the networks will want to rinse it dry and the writers, if they’re not driven primarily or solely by money, will want to protect the artistic integrity of their creation.

I’ve started watching the third series of The Young Offenders which is about two good hearted teenage neds in Cork Ireland, running around causing trouble, stealing bikes, getting their girlfriends pregnant and just being idiots. It’s quite a ridiculous program and in time honoured fashion is getting more ridiculous as the show has developed. There was something raw and utterly hilarious in the first series and while I’m still enjoying the third, it is possible they may struggle in the fourth if there is one. You can only up the ante so far until it becomes too much. I always suspected Father Ted perfected everything by the third series and that the fourth may have struggled, The Young Offenders may just do similar, not that they have either perfected everything or can even dream of being at the level of Father Ted but the point stands. And time will tell.

Anyway here’s an Irish cartoon which I’ve never watched but which Dermot Morgan does the voice of I assume a duck, as it flies south for winter, with loads of exciting stuff happening in between.

F Is For Family

I have found a new series to watch. I don’t watch many things these days but I’m fond of cartoons. The usual ones like Family Guy or Rick and Morty of course, I’m a fan of Bob’s Burgers and the new series by Loren Bouchard; Central Park, which is a musical of all things. I stumbled upon F is for Family a few days ago and I like it. It is based upon the childhood of comedian Bill Burr. I don’t actually know much about him and I suspect he’s someone far more famous in America than here. I simply recognise his name from the odd Joe Rogan podcast that I’ve seen but not listened to. Maybe I will now though. I think I may even find some his comedy and watch it. I hope he’s good otherwise it’ll just spoil the cartoon, it’s whether the risk of not improving it is worth it.

He grew up in an Irish American family in the 1970s when people were a bit tougher and life seemed also a little harder while still immortalised. What’s good is how he creates the characters not how they would have been generally but it seems how he saw them. His big brother is angry and little sister a devil, his mother loving and father scary. There’s a childlike understanding of who each character is.

The seventies is a cool period for cartoons because it’s so easy to be creative, especially in a comedic sense. It is a nostalgic, but tough period in modern history. The strange thing is it is not mine because 1970s America would surely have been very different to the British 70s. They both seem to involve a lot of hardship and strife. No jobs, no fuel. High food prices. But people starting to rebel a little, live life. This could just be the version portrayed in television and the vast majority just got on with a life which was uneventful. F is for Family seemingly is set in a period of Bill Burrs childhood which was relatively intense enough to need to write a series on. It revolves around the father losing his job but with elements of it being honourable, and the subsequent liberation of the mother as she has to go out to work. Yet it is also expresses the uneventful moments in subtle ways, like all of this was just normal. It is very smartly put together.