BR#8 – One For The Road

I still refer to these as book reviews when if we’re all honest they’re probably something else. What they actually are I’ll leave to the annuls of history to decide but in the meantime and for the sake of form they’ll continue to be book reviews. I am reviewing plays seemingly more regularly than books too, although a play is still arguably a book, but with One For The Road by Harold Pinter being a one act play, only sixteen pages long, it’s more of a pamphlet than anything else. It’s so short in fact that when I finished reading it I decided to read it again, just because, well, why not.

One For The Road is set in what I assume is some kind of headquarters of the secret police under a totalitarian regime. The man in charge refers to patriots so you can imagine nationalism plays a role but he refers to god more often which makes me believe this is some Christian fundamentalist regime on par with Margaret Atwood‘s The Handmaid’s Tale. That probably just exposes my ignorance of a better relatable example and a sign of my being lazy. It also ignores the general complicity of the Church in right wing totalitarian states in our history so it could just be a simple case of something along those lines.

The story revolves around what can be classed as interviews between someone of importance, potentially the head of the secret police, and individually the three members of a family taken in for interrogation. The father / husband, wife / mother and their son. The man is beaten and while he challenges his interrogator slightly he generally remains silent and passive. It is likely they have all been arrested because of his political activity. The woman talks more, although there are more direct questions and it is revealed she is being repeatedly raped. Her father is also revealed to be a national hero, a heroic soldier who fought and died in some war that presumably led to the establishment of this state. While the boy who is only seven we discover spat at and kicked the arresting soldiers when they came to his house. At the end he is referred to in the past tense. The interrogator is constantly pouring himself drinks and suggesting it’s one for the road but the implications are more that this will be one for the road before they are released. This of course doesn’t come and there is something chilling in this psychological torture too. That is basically the story, which I’ve now given away but in such a crude manner I’ve not gone near to doing it justice.

I know very little about Harold Pinter beyond his name. I did study Drama for my A-Levels at school but like everything was left incredibly unimpressed by any teachings provided, although my lack of effort and involvement mustn’t be discounted. It is only now as I get older that I start to understand that these things can actually be enjoyable. It is short and I would be curious how and in what circumstances the play would be performed. There are a lot of pauses so potentially they would make better use of them than I did but it was a good introduction to his work. I look forward to reading some more, maybe even a full length one next time. He certainly appears to be someone I could get into.

A Ramble On Death

I was watching a video this morning on Facebook, on what I can’t remember; a telling indictment of the zombie social media turns us into. I do remember at one point some footage came on of men in the First World War. It was coloured footage which I always find really fascinating because it makes old film real and relatable in a way black and white can’t be. The Great War was from a time past and those involved have all died now. I haven’t checked it but I seriously doubt there is anyone left. You know you’re looking at dead people, they’re younger than I am now, but there time has been and now they’re dead.

I’m not obsessed with death, it doesn’t fascinate me in some morbid way and I once used to dismiss it in that way people do when they’re young and like to pretend they don’t give a shit about anything. That doesn’t mean either that I’m about to tell you all I’m scared of death but I am trying to understand it. I am trying to understand it because it plays a huge part in our behaviours as a species. We’re aware consciously of our own existence and as a result our own deaths too. Are we alone in this awareness? One day all this is just not going to be there.

This idea of nothingness is hard to comprehend. Imagine you go to sleep and that feeling of deep sleep is what you will be experiencing for eternity, except you don’t experience deep sleep consciously, arguably we don’t even exist in those moments. How then can we imagine not existing. We try to imagine something we have little empirical understanding of and it’s impossible. This is almost scarier than death itself, which kind of isn’t scary at all.

These soldiers were living in their time. This is the thought that inspired me to start this ramble on death. Why do we fear getting old and dying. These people, that was there time and they lived it, they got old and were replaced by other people living their experience of time. This is my time now and I need to live it because one day I will have to let it go and I want to do it with a smile on my face, content. Not content that I lived life to the max or whatever slogan you can come up with, but just content in the knowledge that now my time is up and it’s time for others to take over. There are plenty out there who are like that and plenty who can’t let go. It’s fear ultimately. Fear of stepping into an unknown time in life, closer to the ultimate unknown. I’m just curious, if I’m lucky to live that long of course. And also, in a way, if we’re to understand death do we first need to understand life? Certainly there’s an order to these thing and maybe with some kind of understanding comes a form of acceptance. It’s especially interesting because, in a way, there are no answers and what’s more powerful than that.